Thursday, March 30, 2006
Came across this photo looking for information on the Chicago El. For 2 points and digital photo of your favorite Chicago Church, indentify this photo.
1) If it sort of looks like a Church, well... Many Cathedrals were used for the same function as this facility.
2) The building is closely associated with, but not located in Chicago.
3) The buiding is named after a major builder in Chicago and London.
Get your 2 points!
Tuesday, March 28, 2006
Announcing 2pm Second Saturday concerts for St. James Chapel at Quigley Prepartory Seminary on Rush at Pearson in Chicago.
April 8th A Trio
J. Patrick Rafferty-Violin
The total experience with classical music within the jewel of a Chapel is sublime.
Please attend and enjoy the show!
Thursday, March 23, 2006
The Traditional Building Trade Show will be held in Chicago on April 5-8 at Navy Pier's Festival Hall A. What better way to shake out the Winter and welcome the Spring than a festival full of Stained Glass, Limestone, and Wood Carving?
Tickets are available here. They should be free.
Seminars etc will cost money, but the show floor is generally FOC. If you have the nerve, the organizers recommend staying at the Congress Hotel. Duck your head into the Gold Room, pictured here, one of the most beautiful rooms in the world, and very underutilized. Shall the Society of St. Barbara hold its annual dinner here?
Thursday, March 16, 2006
Stumbled on this today from Ignatius Press; Georges Lemaitre (1894-1966), a Belgian mathematician and Catholic Priest was a pioneer in developing the Big Bang theory of the creation of the universe.
During a series of lectures at Cal-Berkely in 1933, Fr. Lemaitre introduced the world to his revolutionary theory. After the Priest detailed his Big Bang theory, Einstein stood up applauded, and said, “This is the most beautiful and satisfactory explanation of creation to which I have ever listened.”
I dedicate a photo of the Belgian (Flemish/French) Roman Catholic Church in Chicago, St. John Berchams to the innovation and deciation of Fr. Lemaitre.
Saturday, March 11, 2006
Within St. John of God on Sherman Park there is this unique fixture above the Mary Altar, with a Polish Inscription. Can anyone identify the piece? The artist? Translate the inscription to English? This is a very splendid piece of adornment, hanging in this shuttered church. Anyone have a current need for it? I will contact the Archdiocese if you need it.
Click on photo for more detail.
Thursday, March 09, 2006
A Grand Basilica on a late winter's day in Normandy? Relaxing lagoon, charming fieldhouse, and the majesty of the twin towers of a Baroque masterpiece on the north edge of a picturesque park.
Welcome to the South Side of Chicago! This is St. John of God in Sherman Park. I spent the day catalogging the art and architectural furnishings of SJOG, and will post these soon. (Click on the photo for larger image)
The church is currently vacant, a bit damp, and an architectural masterpiece by HJ Schlacks.
Wednesday, March 08, 2006
Who would have thunk it? (Is that from Dizzy Dean?)
So, if you had a maniacal scheme to take a series of photographs and write an architectural history of the Archdiocese of Chicago, would you think it would come out on an endcap at the Borders Bookstore down the street from your house. Pictured here is a terrific stack of soon to be depleted Heavenly City books, at the Borders Wilmette store. Someone must like these things, as they are turning up everywhere.
Monday, March 06, 2006
The renowned Catholic leader Fr. Fessio, SJ will be the monthly luncheon speaker at Catholic Citizens this Friday (at the architectural gem) Chicago Athletic Association. The food is good, the dining companions generally combative, and the speakers in this series have been terrific. The Catholic Citizens are led by the fearless Tom Roeser.
If you get the chance, take a look at the Venetian stonework on the windows facing the Lake Michigan seawall. Sure to be a winner.
Saturday, March 04, 2006
Some good friends of mine and I took a trip last week down to Peoria under the sad circumstance of attending a funeral at a local parish. On the way back, after praying for the deceased and spending a few quiet moments with the family, we took the opportunity to visit the cathedral. We'd seen it on the way in, its tall American Gothic spires rising against the forested slopes of the river valley. It was one of those warm-chill days that crop up occasionally in the borderlands of an Illinois spring, the honey-gold stone of the church vivid against the bright, flat blue of the sky. One of our number had been there before and found it locked that time, and after we'd parked the car, we'd found it still was.
So we decided to go ask the bishop to let us in.
This isn't too far-fetched. I won't go and say that we're tight with the Most Rev. Daniel Jenky, but the man does have deep connections to Notre Dame. During his stint as rector of ND's Basilica of the Sacred Heart, the gilt went back on the floriated gothic column capitals, the ambo got cranked up a couple of few, and the Stations of the Cross ended back up on the walls after a long and dusty search through a dozen campus attics and store-rooms.
Buzzing at the cathedral rectory next door, we found out that his Excellency was out but they'd certainly let us have a look round the place.
Even a cursory glance at the outside is pretty memorable. It's one of the more monumental examples of 19th century American Gothic, in particular the vernacular, charmingly quirky take on it that one finds sprinkled through the rolling hills of the Midwest. Twin high-steepled octagonal spires loom over the low-lying town all around it, twin gilt crosses high in the sky overhead. The stonework is rough, not quite irregular, but rustic and rugged enough to suit the town's bucolic surroundings, and reminiscent of Pugin's dictum that small stone blocks made for more interesting walls than plain ashlar work. The doors are an episcopal purple--slightly jarring at first, but not without interest--with burly verdigrissed hinges that look as old as the hills. In terms of massing and decoration, it tends towards simplicity of line and shape, as befits its place and period, but keeps the monumentality necessary even in a fairly small cathedral.
Inside, his Excellency has done a fine job bringing the place back to life. The Cathedral has gone through numerous face-lifts in the past century. At one point, the paint job had tended towards the darkness and mystery recommended by Cram and his compatriots, while more recently, much of the gilding and woodwork was lost under a bland coat of whitewash. Over the course of a couple of interventions, the chancel stalls were taken out, the altar-rail dismantled and turned into fodder for a smallish ambo, and an incongruous '80s-style tabernacle installed in one of the side-altars. Jenky put a stop to all that. One of his first moves upon being elevated to the see of Peoria was to move Christ back to where He'd always been before, at the center of the reredos.
A lot had been lost, and re-shuffled in the meantime, and the Bishop had to make the best with what he'd been given. He has. The elegant Gothic reredos, all gilt and creamy-white apparently had been partially patched together from an astonishingly ornate canopy that had once stood over the episcopal cathedra on one side of the chancel, for instance. At the center of the reredos is a copy of Velazquez's famous Crucifixion, which at present does not quite fit within the framework of the altarpiece but nonetheless serves as one of the few remaining links with the original cathedral.
A few other additions came in the form of re-using old side-altars as shrines that flank the chancel and are marked off by the partial reinstallment of the old altar rail. One now serves as a baptistery, the other as a shrine to Our Lady of Guadalupe. The church is lofty and luminous, white walls setting off a remarkable acreage of indigo stained glass peopled with saints and martyrs, missionaries and sacred heraldry. The place has a pleasant airiness that still retains some of its mystery. In terms of plan, it is almost a hallenkirche, a familiar Teutonic design with aisles almost as high as the central nave. Granite pillars of astonishing height and slimness soar up to a elaborately-ribbed vault, now painted blue and white, and perhaps, we were told, in the near future that blue sky may be emblazoned with medieval stars as is the bishop's wish.
Most impressive, though, is the renovation of a small space off the chancel, a former winter chapel, as the church's relic chapel. It is dark and holy, with vivid stained glass of the martyrs John Fisher in full pontificals, Thomas More and Oliver Plunket in purple and scarlet, looking almost dashing in a Charles II goatee and mustache. Jenky was perhaps inspired by the old relic chapel at Notre Dame--the current form of which was probably his idea to begin with--and has brought it to his new home here. A relic of the true cross holds pride of place behind the altar, with glass-fronted cabinets on either hand. We pressed our fingers to the glass and counted off each one, excited and delighted as we recognized the names of old dear saintly friends--Aquinas, Albertus, Matthew, Maria Goretti and more. Overhead, the stars already shine in the blue-vaulted sky, the work of Murals by Jericho, a company which has also tricked out Peoria's parish of St. Mark in a remarkable set of reproductions of the work of Fra Angelico.
The relic chapel also features a surprisingly baroque chair belonging to canonization candidate Fulton Sheen, whose cause the Bishop is spearheading. Some day, come his beatification, his body may rest here, or perhaps at the first parish he served at, just a few blocks away. It was sold to a Protestant demonination some years back, but the interior, altar and all, remain untouched. While perhaps it is wishful thinking at present, one can't help wonder what a fine national shrine that church might make should it ever be re-patriated.
There is much else to recommend this little-known vernacular gem. A small shrine to St. Therese of Liseux features gold-dipped roses given by a priest as ex-votos for every vocation he has prayed for that has come to fruition (and in recent years, he's donated quite a few), while the cathedral has two organs, a small chamber piece down on the floor and one high up in the uppermost of the church's two lofts. Occasionally, they play the two of them at once, ad alternim in the fashion of the great churches of the Renaissance.
While we miss Bishop Jenky down at ND, seeing what he's done with his time here, we can't help thinking he's done a whole lot with only a little time. Given rumors we heard mention of future frescoing--not just gold stars--we hope that his embellishment of the cathedral church of his diocese will continue well into the future, and set a standard of artistic and spiritual excellence for all those who will sit in the cathedra after his tenure.